The Nuascannán Filmmaking Style, Echo #2511

[ad_1]

Irish filmmaker Graham Jones shoots indie movies using the Nuascannán philosophy -

“A very talented director”
-VARIETY MAGAZINE

“Graham Jones has repeatedly proven himself one of Ireland's most intriguing directors. His work is challenging and unapologetically provocative; words that also apply to his latest heroine in this exploration of women, patriarchy and power..."
-HOT PRESS on NOLA AND THE CLONES

"A neat, tense, low-budget black and white heist movie that delivers an unexpected moral punch..."
-THE TIMES, U.K. on HOW TO CHEAT IN THE LEAVING CERTIFICATE

"Jones brilliantly exploited people's mannerisms and expressions to construct his story - but his real target are patronising Western journalists, whose reporting is often no different..."
-NEW HORIZONS, POLAND on FUDGE 44

"A low key gem..."
-FOCUS OF NEW YORK MAGAZINE on THE RANDOMERS

"Scary tale by a talented director..."
-THE JOURNAL on THE GREEN MARKER SCARE

"A very important film..."
-CULTURE VULTURE EXPRESS on DAVIN

"A slow, meandering and beautifully shot piece of art about a little boy’s innocent fascination with the world around him... "
-FILMS AND THINGS on THE HISTORY STUDENT

#nuascannan
[ad_2]

source