Saturday, December 31, 2016
Nuascannán Filmmaking Aesthetic, Echo #36940
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Irish filmmaker Graham Jones shoots indie movies using the Nuascannán philosophy -
“A very talented director”
-VARIETY MAGAZINE
“Graham Jones has repeatedly proven himself one of Ireland's most intriguing directors. His work is challenging and unapologetically provocative; words that also apply to his latest heroine in this exploration of women, patriarchy and power..."
-HOT PRESS on NOLA AND THE CLONES
"A neat, tense, low-budget black and white heist movie that delivers an unexpected moral punch..."
-THE TIMES, U.K. on HOW TO CHEAT IN THE LEAVING CERTIFICATE
"Jones brilliantly exploited people's mannerisms and expressions to construct his story - but his real target are patronising Western journalists, whose reporting is often no different..."
-NEW HORIZONS, POLAND on FUDGE 44
"A low key gem..."
-FOCUS OF NEW YORK MAGAZINE on THE RANDOMERS
"Scary tale by a talented director..."
-THE JOURNAL on THE GREEN MARKER SCARE
"A very important film..."
-CULTURE VULTURE EXPRESS on DAVIN
"A slow, meandering and beautifully shot piece of art about a little boy’s innocent fascination with the world around him... "
-FILMS AND THINGS on THE HISTORY STUDENT
#nuascannan
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